THE GREAT JELLYFISH UNIVERSE UNDULATES ITS BALLOONING TENTACLES

Mathematics, one way we snuggle up to shadow,

outstripped again by the never-my-always lensing

of what's underneath. Unable to see flaws

 

in the cosmic microwave radiation background

of childhood's forgetting, we reflect our selfhood

head-on, transdimensional. The surface tension

 

in Neo's mercurial mirror, a viscosity we feel

like the pixelated rhythm of love's misinformation

animated into holographic reversal, my practice

 

rewilding this music none of us can hear. I see

my ego as a poem, a stranger conceived in wounds

inflicted on my mind's gelatinous limitation,

 

this mollusk in grave exoskeleton. Like trauma

leads to art we use to drive intention, gravity

irradiates my filaments, surfs my cerebral surge.

 

A surface story fragments collapsed thought

into a catechism of scholastic bones, curvatures

not made literary in gravitational wave theory.

 

If you ask me while I'm dreaming, these worlds

write new opening acts for the universe. Time's exit

formless, my body as seen from the edge

 

of the Great Jellyfish Mind. Its tentacles heave in 

an unconditional headlong rush of forgiveness,

the prize-box purr, merciful killer of every organ.

Bobby Parrott is radioactive, but for how long? In his own words, "The intentions of trees are a form of loneliness we climb like a ladder." His poems appear or are forthcoming in Tilted House, RHINO, Rumble Fish Quarterly, Atticus Review, The Hopper, Rabid Oak, Exacting Clam, Neologism, Whale Road Review, and elsewhere. Immersed in a forest-spun jacket of toy dirigibles, he dreams himself out of formlessness in the chartreuse meditation capsule known as Fort Collins Colorado, where he lives with his partner Lucien, their top house plant Zebrina, and a flippant hyper-quantum robotic assistant Nordstrom.